The Osun Osogbo Festival: Its Functions And Aesthetics
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Abstract
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Table of Content
Title page
Certification
Dedication
Acknowledgements
Table of contents
CHAPTER ONE
1.1 Introduction
1.2 The Concept of Aesthetics in the Osun Osogbo Festivali
1.3 Purpose of study
1.4 Scope of study
1.5 Methodology
1.6 Justification
CHAPTER TWO
2.1 The concept of oral literature
2.2 The Origin of Osun Osogbo River
2.3 The Osun Festivali
CHAPTER THREE
3.1 The Aesthetics in the Osun Osogbo Festival
3.1.1 Drums
3.1.2 Dance
3.1.3 Costumes
3.1.4 Music
3.1.5 Languages
3.2 Major Roles at The Osun Osogbo Festivali.
3.2.1 The Ataoja (king)
3.2.2 The Iya osun (osun priestess)
3.2.3 The Arugba osun (osun bowl carrier)
3.2.4 The Aworo osun (osun priest)
3.2.5 The Audience
CHAPTER FOUR.
4.1 Importance of Osun Osogbo festivali
4.2 Findings on the Osun Osogbo festivali
CHAPTER FIVE
5.1 Summary
5.2 Conclusion
